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Yeon Hwa-Seon murmured, "This... is me."
The next video on the phone showed a younger Yeon Hwa-Seon with black hair, performing a dance.
I answered, "Yes, it's footage from 1998 when the remains of the independence fighters brought back from Kazakhstan were interred at the Daejeon National Cemetery."
On the small screen, Yeon Hwa-Seon performed the solemn Jinhonmu. Her movements were dignified and evocative as if soothing the spirits of the deceased.
This very dance had served as the reference for the Jinhonmu performed by Yoo-Jin's disguised character "Manshin Wol-Ah" in In the Name of God. With its far superior expressiveness compared to the typical Jinhonmu of shamans, Yeon Hwa-Seon's version was the obvious choice for the reference.
Yeon Hwa-Seon replayed the footage of "Manshin Wol-Ah's" Jinhonmu several times, marveling at it. "Did she really practice this on her own?"
"Yes. Yoo-Jin's identity as 'Manshin Wol-Ah' was a closely guarded secret at the time, so she had no choice but to practice alone. The only guidance she received was a few points for improvement from Mrs. Kim Soo-Hee."
Kim Soo-Hee was acquainted with Yeon Hwa-Seon as they had met several times before during consultations for dramas.
"Well, Soo-Hee unnie can't dance herself, so she wouldn't have been able to teach her."
"Exactly. Mrs....
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