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I reviewed the footage of Go Jae-Soo devouring the pheasant. The sharp expression on his face conveyed madness beyond rage. It was sheer anguish.
'This is intense,' I thought.
Like Oh Myung-Jin in Jiri Mountain, who had been treated as less than human for years, Go Jae-Soo had also spent much of his career languishing at the bottom of the industry and being snubbed.
Perhaps as a result, his chilling expression seemed to perfectly embody Oh Myung-Jin, manifesting his rage against the world, others, and himself.
I immediately sent the video capturing Go Jae-Soo's raw intensity to the company's marketing team.
I submitted the footage with a formal request to allocate promotional resources to Go Jae-Soo, equal to those for Lee Tae-Poong. I added that framing the film as a showdown between the two actors would ensure both their success.
Next, I forwarded the same video to President Jang Ji-Hye of Womans via KkTalk and followed up with a call.
When I proposed making Lee Tae-Poong and Go Jae-Soo the main models for their next campaign, Jang Ji-Hye's voice was filled with admiration.
-Wow, this is incredible. Isn't he the same guy who caught that killer in Jiri Mountain?
"He sure is."
-Hm…
After a moment of contemplation, Jang Ji-Hye spoke again in a concerned voice.
-But this video is a bit too intense. Most of our audience is women in their twenties and thirties.
"Hold on."
Acknowledging her concern, I quickly sent a still image of Lee Tae-Poong and Go Jae-Soo glaring at each other in front of the wood-burning stove.
This time, Jang Ji-Hye's voice brightened.
-Wow! This could be on the magazine...
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