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In the projection room, Spielberg saw countless possibilities for the future.
As Eberts had said, in most of the outcomes simulated by the computer, he was neither at the center of the stage nor even on it at all.
The settlement was not composed solely of workers, though in his current timeline, they were the first to awaken.
For instance, in Outcome No.217, the camera focused most frequently on the youngest daughter of Malvern’s family.
From the moment that little girl first read the banned newspaper, she had been trying to persuade her father.
Though her ideas were naive, the problems she pointed out were real. Influenced by her, the old man Malvern eventually recognized some issues himself and tried to push for a top-down reform.
However… The result was a tragic one. His entire family ended up dead.
All those irrelevant or untimely scenes were replaced with lines of cold, emotionless text.
Spielberg let out a breath of relief. He didn’t mind seeing Stephens...



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